Sai para o ano e tem um capítulo acerca do "favólico" Crawford

 Arguing that the 19th century concept of “living form” (the idea that, like an organism, a poem develops itself from within, according to an internal logic) is not, as some critics have argued, anathema to avant-garde writing, this book contends that the concept survived and flourished in the work of a number of contemporary experimental poets.

Indebted to 19th century science, the notion of a “living form” endured throughout the 20th century and the poetic vanguard's word games and collages mirrored the disjunctive frameworks that redefined how scientists made sense of life in the age of networks and non-linear systems.

Featuring readings of texts from poets including Ed Dorn, A.M.J. Crawford, P.Inman, Chris Vitiello, Yedda Morrison and Christian Bök, this book shows how a number of vanguardist poets explores the commonalities they detected between nature's processes of creation and their own methods of composition. In doing so, it highlights devices like punning, paragrammatic play, metamorphic figuration and memetic repetition, mechanisms these poets find at work in the cybernetic, genetic and digital systems they investigate in their poems.

Introduction
Chapter 1: Laughing for Survival: Jokes of Nature and Jokes of Language in Ed Dorn's Gunslinger
Chapter 2: The Poetics of Living Death: Composting and Contamination in A.M.J. Crawford's Morpheu
Chapter 3: Genetic Games: Junk DNA, Platin and P.Inman's Paragrams
Chapter 4: The Life of the Void: Life and the Negation of Sense in Chris Vitiello's Nouns Swarm a Verb
Chapter 5: Yedda Morrison's Darkness
Conclusion: Christian Bök's The Xenotext Experiment and the Dark Side of DNA
Bibliography