quarta-feira, 21 de outubro de 2026

Cold Blooded Creatures

 


Man, the egregious egoist,

(In mystery the twig is bent,)

Imagines, by some mental twist,

That he alone is sentient

 

Of the intolerable load

Which on all living creatures lies,

Nor stoops to pity in the toad

The speechless sorrow of its eyes.

 

He asks no questions of the snake,

Nor plumbs the phosphorescent gloom

Where lidless fishes, broad awake,

Swim staring at a night-mare doom.

 

Elinor Wylie

Tom Waits - This One's From The Heart (1982)

Praxiteles





 

 


In memory of W. B. Yeats

(d. Jan. 1939)

 

I

 

He disappeared in the dead of winter:

The brooks were frozen, the airports almost deserted,

And snow disfigured the public statues;

The mercury sank in the mouth of the dying day.

What instruments we have agree

The day of his death was a dark cold day.

 

Far from his illness

The wolves ran on through the evergreen forests,

The peasant river was untempted by the fashionable quays;

By mourning tongues

The death of the poet was kept from his poems.

 

But for him it was his last afternoon as himself,

An afternoon of nurses and rumours;

The provinces of his body revolted,

The squares of his mind were empty.

Silence invaded the suburbs,

The current of his feeling failed; he became his admirers.

 

Now he is scattered among a hundred cities

And wholly given over to unfamiliar affections,

To find his happiness in another kind of wood

And be punished under a foreign code of conscience.

The words of a dead man

Are modified in the guts of the living.

 

But in the importance and noise of to-morrow

When the brokers are roaring like beasts on the floor of the Bourse,

And the poor have the sufferings to which they are fairly accustomed,

And each in the cell of himself is almost convinced of his freedom,

A few thousand will think of this day

As one thinks of a day when one did something slightly unusual.

 

What instruments we have agree

The day of his death was a dark cold day.

 

II

 

You were silly like us; your gift survived it all:

The parish of rich women, physical decay,

Yourself; Mad Ireland hurt you into poetry.

Now Ireland has her madness and her weather still,

For poetry makes nothing happen: it survives

In the valley of its saying where executives

Would never want to tamper, it flows south

From ranches of isolation and the busy griefs,

Raw towns that we believe and die in; it survives,

A way of happening, a mouth.

 

III

 

Earth, receive an honoured guest:

William Yeats is laid to rest.

Let the Irish vessel lie

Emptied of its poetry.

 

In the nightmare of the dark

All the dogs of Europe bark,

And the living nations wait,

Each sequestered in its hate;

 

Intellectual disgrace

Stares from every human face,

And the seas of pity lie

Locked and frozen in each eye.

 

Follow, poet, follow right

To the bottom of the night,

With your unconstraining voice

Still persuade us to rejoice;

 

With the farming of a verse

Make a vineyard of the curse,

Sing of human unsuccess

In a rapture of distress;

 

In the deserts of the heart

Let the healing fountain start,

In the prison of his days

Teach the free man how to praise.

 

W. H. Auden

terça-feira, 20 de outubro de 2026

Mercedes-Benz L 911(1961-1985)





 

Carlos Barretto (2009)

Exorto-vos a adquirir o novo livro do Amigo Filipe...


 ... editado pelos Amigos Maria e Nuno, apesar de, por manifesta senilidade do autor, ser lançado no mesmo dia e quase à mesma hora que a minha Noite de Jazz & Poesia (perdoa-se porque, quer a nível de idade, quer a nível de consumos, Fonseca pede meças ao Keith Richards).

Ravenna Escaleira (2025)

Benoît Grimalt e Damien Froidevaux (2025)

De retour à Nice, sa ville natale, après une rupture, un réalisateur part à la recherche de ses salles de cinéma disparues en interrogeant habitants et anciens projectionnistes.
 

domingo, 18 de outubro de 2026

Mai seis de ontem e anteontem







 

Maxim Kolomiiets - Rejection (2003)

Fólio, Óbidos, 2026 - II




 Rocío Matosas, José Anjos, João Camões. As duas primeiras fotos são da Susana Simões.

(Thanks, Zélia e Luís.)
 


 (Thanks, João.)

(Thanks, Sofia.)
 

(Thanks, Carlos.)
 

quinta-feira, 15 de outubro de 2026